✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Discuss Shelley’s philosophy of love in Prometheus Unbound.

Discuss Shelley’s philosophy of love in Prometheus Unbound.

Shelley’s philosophy of love is based on Platonism. Being a Platonist, his idea of love is idealistic and spiritual. He gives a fig to the sensuousness in love. Love, according to him, is the soul of universe. Love is the power which interpenetrates all things, circling them like the breath of life, and without which this glorious world were a blind and formless chaos formless chaos. In his words, “Love is the bond and sanction which connects not only man with man but with everything which exist.” 
Shelley’s platonic philosophy of love is clearly reflected in his lyrical drama Prometheus Unbound. Love is the main theme in Prometheus Unbound. The central idea of the play is that man is able to will his own destiny. The way to end evil is not by countering it with violence but by suffusing the collective spirit of humanity with love.
In Prometheus Unbound, Prometheus represents human reason at its noblest and Asia love. When love and reason are united, evil is doomed. Love, according to Shelley, sets reason to work. In words of Shelley,
Fate, Time, Occasion, Chance and Change? To these
All things are subject but eternal love”

“It is by his love for Asia that Prometheus shows he is completely fit to be freed, and he has positive virtues as well as the stoic qualities which have enabled him to survive torture and temptation.”(Desmond King – Hele) The dramatic element in Prometheus Unbound consists in the awful mythological story of the conflict between Jupiter and Prometheus of which centuries ago Aeschylus produced the dramatic version Prometheus Bound. Prometheus is suffering nailed to the rock, his heart being eaten up by an eagle. The Furies torture him. Mercury comes for conciliation which Prometheus rejects. The main action, however, comes in the last part of act ii and act iii of the play when Asia penetrates into the den of Demogorgon followed by the fall of Jupiter with happiness restored everywhere.

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