✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Comment on special art techniques in The Sound and the Fury.

Comment on special art techniques in The Sound and the Fury.


The Sound and the Fury is one of the most celebrated novels of the Twentieth Century, written by American author William Faulkner, which mainly makes use of the stream of consciousness narrative technique pioneered by European authors such as James Joyce and Virginia Woolf.
The Sound and the Fury is a masterpiece of stream-of-consciousness. But there are also some other special techniques of art expression in this novel, such as Jigsaw puzzle, time shifts and multi-angle narration and the use of “myth and arthtyepe”.
1 The Use of Stream-of-Consciousness Technique
No doubt that The Sound and the Fury is a representative masterpiece of stream of consciousness. Faulkner sometimes uses the stream-of-consciousness technique in the first three chapters. In stream of consciousness, a term coined by American psychologist William James (1842-1910), an author portrays a character’s continuing “stream” of thoughts as they occur, regardless of whether they make sense or whether the next thought in a sequence relates to the previous thought. The novel's appreciation has in large part been due to the technique of its construction: Faulkner's ability to recreate the thought patterns of the human mind, even the disabled one. In this sense, it was an essential development in the stream-of-consciousness narrative technique. The reason Faulkner expresses stream-of-conscious so frequently is that he thinks the method can provide the readers with more real fragment of life. Besides there is another main reason: fulfilling the need of describing particular characters-----The characters in the first three parts are unhealthy mentally: Benjy is an idiot; Quentin has decided to commit suicide on June 2.it is no wonder that he is disorder mentally, his mental state is extremely delirious; Jason is also abnormal, he is a monomania.
2 The Use of “Myth and Arthetype”
“Myth” in its most ordinary meaning refers to stories of gods or other supernatural beings handed down from ancient time. A collect of traditional myths in a culture or nation reflects, allegorically, its cultural or national history. The stories of Bible, for instance, are part of the constitution of Jewish nation or culture. “Archetype” refers to the recurring literary phenomena such as motifs, theme and narrative designs. When a writer creates a literary work, he consciously make his work’s story, character, structure parallel with a familiar myth story, he apparently uses the myth and arthetype model. Such as James Joyce’s Ulysses whose basic structure is fashioned after that of the Homeric epic, Odyssey, which is used by Joyce to universalize Dublin life and to serve as a heroic counterpart to its anti-heroic protagonist, Leopold Bloom. In The Sound and the Fury, there is a Biblical correspondence to the novel: the dates entitled when incidents happened in the Compson   have something to do with the dates of Christ’s sufferings. Just as Joyce uses Odyssey’s heroic achievements to counterpart its anti-heroic protagonist, Leopold Bloom. Faulkner also uses Christ’s solemness and sacredness to set off humble of descendants of the   Compson’s. This use of arthetype model ,apart from adding his work color of irony, enables his story break from the trifles described in the southern family, becoming an allegory which inquires into the fate of human.

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