✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Discuss the role and character of Amanda Wingfield in The Glass Menagerie.

Discuss the role and character of Amanda Wingfield in The Glass Menagerie.

Amanda Wingfield in The Glass Menagerie furnishes an excellent example of a carefully crafted, complex character whose speech and action arise from the "psychological" being created by the playwright. In his character description, Tennessee Williams starts his reader on the road to discovering Amanda's complexity.

AMANDA WINGFIELD the mother. A little woman of great but confused vitality clinging frantically to another time and place. Her characterization must be carefully created, not copied from type. She is not paranoiac, but her life is paranoia. There is much to admire in Amanda, and as much to love and pity as there is to laugh at. Certainly she has endurance and a kind of heroism, and though her foolishness makes her unwittingly cruel at times, there is tenderness in her slight person. (781)
Before the first lines are spoken Amanda's complexity is established by the nuances and contrasts given here. This basic description must be laid over all dialogue and action throughout the play so as to preserve the fullness of Amanda's character at times when only portions of her nature are being exhibited.

The complexity of Amanda's character directly affects her action and dialogue with her children. In her role as mother she exhibits an overwhelming desire to see her children succeed in life. In trying to push them toward her ideal of success, she at times unwittingly hurts them even though she means well. Her actions often hide her intense love for her children, but it is an important driving force in her motivations. She loves them too well--at times to a point of smothering them (perhaps the reason for the departure of her husband)--which results in her attempt to push them towards all the good things she has known and remembered and away from anything that does not suit her ideal.

As Amanda calls Tom to the table in Scene I and comments on manners and habits, we have our first glimpse of Amanda, the mother. She corrects actions much as mothers have done throughout time in accordance with her own sense of importance.
Animals have sections in their stomachs which enable them to digest food without mastication, but human beings are supposed to chew their food before they swallow it down. Eat food leisurely, son, and really enjoy it. A well-cooked meal has lots of delicate flavors that have to be held in the mouth for appreciation. So chew your food and give your salivary glands a chance to function. (783 ll. 57-65)


Thus, for Amanda, the variety of dishes to be savored during the elegant leisurely meals of her youth have become synonymous with the status of the leisurely life-style she so fondly remembers. Tom has no concept of dinner in the South so she adapts her correction to digestion hoping he will understand this more physical depiction as opposed to the one that is so vivid for her while lacking in reality for her children. For Amanda meals should be an emotional experience enhanced by proper manners. Although she is seeking to communicate and share this experience with her children, her words only manage to antagonize Tome and heighten tension between them. 

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