✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Trace the evolution of Sarita from a docile housewife to a self-assertive woman.

Trace the evolution of Sarita from a docile housewife to a self-assertive woman.

Sarita is lead character from Vijay Tendulkar’s play ‘Kamala’.The story of Sarita is
that of an intelligent young girl who is bound in the four walls of her house and is taken for granted by her husband, who in a way seems modern, since he urges her to drink with him, but his other expectations are very much the same as that of a male chauvinist.With the entry of Kamala a woman who has been sold to Sarita’s husband, Jaisingh; Sarita realises her place in the household and in her husband’s life. She realises that for all these years she was nothing but a slave and that her place is no better than that of Kamala’s. Kamala without saying much but rather through her innocent questions makes Sarita realise that she is nothing but a slave, a prostitute and a housekeeper; rather a puppet who is dancing on Jaisingh’s tunes.

            
Like Kamala, Sarita is also an object that merely provides physical enjoyment, social companionship and domestic comfort to Jadhav. She is indeed a "Lovely bonded labourer", taking note of all phone calls, attending to Jadhav's physical needs and running about in the house carrying out all his presumptuous instructions, an obedient and loyal wife. Kamala's unexpected question to Sarita that "How much did he buy you for?" enlightens Sarita on her position in the family. Though Jaisingh took a handsome dowry in marrying her, she feels like saying "seven hundred". Kamala proposes that she will do all housework while Sarita will look after accounts and such "sophisticated" Things. She adds that cache of them will share their master's bed half a month each. To illustrate, we can quote Kamala's a rather long dialogue with Sarita in this reference: 

“Mwmseheb. If you Won't misunderstand, I'll tell you. The master bought you : he bought me, too.........so, memsaheb, both of us must stay here like sisters. We'll keep the master happy.......the master will have children. I'll bring them up. You Keep the accounts and run the house.....Fifteen days of the month, you sleep with the master; the other fifteen, I'll sleep with him. Agreed?”Sarita agrees to this. Somehow, she painfully and shockingly realizes that she too, like Kamala, functions as a mere pawn in Jadhav's game of chess. Kamala to jadhav is only an object that helps him win instant fame while Sarita is also an object to be paraded as a wife at parties, to enhance his status as a successful journalist. Jadhav is referred by Kakasaheb and Jain as an irresponsible husband whose craze for publicity overwhelms him so much that he totally ignores his wife's existence. To quote Jain's words while he addresses Sarita: 


“Hi, Bhabhiji, I mean, an English 'he' to him, and a Marathi 'hai' to you. This warrior against exploitation in the country is exploiting you………… 'Hai', 'Hai' (Theatrically to Jaisingh) Shame on you! Hero of anti-exploitation campaign makes slave of his wife.”

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