✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Discuss Marlowe’s Edward II as a Tragedy. / How far does Marlowe’s Edward II satisfy the notion of a high tragedy?



Discuss Marlowe’s Edward II as a Tragedy. / How far does Marlowe’s Edward II satisfy the notion of a high tragedy?


The tragedies of Marlowe are known for their grand design, extravagance grandeur, ‘rant and bluster’, the monomaniac characters with their single obsession of power, the passion for their boosting up of self in a way that we marvel at them, and a certain ruthlessness which defies human sentiment. His last celebrated tragedy Edward II is concerned with the tragic fall of a historical king, Edward II.

Aristotle in his Poetics defines tragedy as “an imitation of an action that is serious and complete and of certain magnitude... not of narrative through pity and fear affecting the proper purgation of these effects.” Marlowe’s Edward II surely abides by certain points of Aristotelian definition of tragedy.

As per as technical excellence is concerned, Marlowe Edward II does not appeal as Shakespeare’s tragedies do. Whereas Shakespeare’s tragedies deal with lofty universal ideal, Marlowe’s Edward II is all about frustration and weakness. The dictum “Character is destiny” is absolutely applicable to the tragedy of Edward II.

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