✍ Dr. Dipak Giri is an Indian writer, editor and critic who lives in Cooch Behar, a district town within the jurisdiction of state West Bengal, India.

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Write a short essay on Restoration Drama.



Write a short essay on Restoration Drama.

In 1642 the theatres were closed by the authority of the parliament which was dominated by Puritans and so no good plays were written from 1642 till the Restoration (coming back of monarchy in England with the accession of Charles II to the throne) in 1660 when the theatres were re-opened. The drama in England after 1660, called the Restoration drama, showed entirely new trends on account of the long break with the past. Moreover, it was greatly affected by the spirit of the new age which was deficient in poetic feeling, imagination and emotional approach to life, but laid emphasis on prose as the medium of expression, and intellectual, realistic and critical approach to life and its problems. As the common people still under the influence of Puritanism had no love for the theatres, the dramatists had to cater to the taste of the aristocratic class which was highly fashionable, frivolous, cynical and sophisticated. The result was that unlike the Elizabethan drama which had a mass appeal, had its roots in the life of the common people and could be legitimately called the national drama, the Restoration drama had none of these characteristics. Its appeal was confined to the upper strata of society whose taste was aristocratic, and among which the prevailing fashions and etiquettes were foreign and extravagant.

As imagination and poetic feelings were regarded as ‘vulgar enthusiasm’ by the dictators of the social life. But as ‘actual life’ meant the life of the aristocratic class only, the plays of this period do not give us a picture of the whole nation. The most popular form of drama was the Comedy of Manners which portrayed the sophisticated life of the dominant class of society—its gaiety, foppery, insolence and intrigue. Thus the basis of the Restoration drama was very narrow. The general tone of this drama was most aptly described by Shelley:

Comedy loses its ideal universality: wit succeeds humour; we laugh from self-complacency and triumph; instead of pleasure, malignity, sarcasm and contempt, succeed to sympathetic merriment; we hardly laugh, but we smile.

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